Posted on August 19th, 2022
I have been tweeting a lot about the endless cancellations/shelving/write-offs/whatever going on over at Discovery/WB. Until yesterday, I was mostly thinking of it purely as just a fan or at most, a long-time, amateur, industry observer/occasional podcast talking-head. Sure, by happenstance, I am very lucky and happy to have made a few friends in animation and localization, but generally, it all felt like a disaster in the distance, as previous entertainment industry management failures have for me.
Then Discovery started shelving if not fully memory-holing a bunch of shows that weren’t as far from me as I thought, at least once I thought about it. Victor & Valentino had development and storyboard work from my great friend and Storyboard Pro code collaborator Corey Barnes. Infinity Train had storyboard work from Marie Lum, who once kindly said the Storyboard Pro scripts that Corey & I built were worthy of a Winsor McCay Animation Lifetime Achievement award: a level of praise I never expected for any code I’d write.
Ruminating on those connections changed the context. This debacle is all at a very different distance than when I used to complain about TV network mismanagement as an aimless, 20-something forum-goer turned volunteer animation critic & forum mod. Sure, that also meant I was very aware of folks moving on to new roles and new opportunities; by and large, I know this won’t instantly throw people out in the cold. However, more than I’d ever had known previously, I was keenly aware of just how much work was being cast into limbo as I’d literally had helped reduce the work load with the only relevant talent I could contribute. All these realizations did was make me more upset at how callous and unjust the rules around intellectual property and copyrights owned by companies are. The artists and their fans deserve better.
So, while I usually don’t get so heavy, I want to take a moment to say if one your favorite shows is being caught up in all of this, and if the artists who made it have any direct support options – commissions, ko-fi, gumroad, patreon, etc. – now’s a good time to lend a hand, if only emotionally, if not materially, by taking advantage of those options. Further still, we need to agitate for changes in copyright and IP write offs such that that works intentionally orphaned via said write-offs either return to the original creatives, or go instantly into the public domain such that it still frees the original creators, the greater staff and even fans to distribute and celebrate these works, so they are not lost to time. I dearly hope reform like that happens, and that, as I have to admit myself, is no longer me pontificating as someone on the sidelines, but as someone who at least helped people play the game a little bit, and would like to see a system that encourages their endeavors, not one that squanders them for single quarter’s balance sheet.
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Posted on November 24th, 2018
Filed under: Code — Karl Olson @ 7:13 pm
This time, we’ve made it easier to bulk rename layers across multiple panels, making it easier for storyboard artists to relabel layers after working on a draft. Instead of cleaning up each panel by hand, you select your panels, enter new name, pick the layer on each panel and/or skip panels you don’t want to rename anything on, then let it rip. It’s easy to use, just like our previous script for bulk editing captions across multiple panels. Both scripts are on Corey’s Gumroad page as pay what you’d like, and he and I should have more scripts to come on Gumroad, so if you’re an animator, you’ll likely want to get updates from his page in future.
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Posted on September 4th, 2018
Filed under: Code — Karl Olson @ 9:38 pm
After the very positive response to the previous script from storyboarders and animators working at just countless major animation studios all over the world, many independent creators and the actual software company itself regarding my first Storyboard Pro script, I was eager to revise the script with my friend Corey and make it even more useful by extending the simple caption delete script into something with a text input so you could also replace captions across multiple panels (or just do a delete still by leaving the text input empty!) So, after a few false starts and some double checking, the result is already being just as well received as the first script. I hope I can do some more of this work in future, so maybe I’ll see if I can get an old copy of SB Pro at some point (the script engine is an older version of QT Script, so the latest/greatest is probably fine.)
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Posted on August 26th, 2018
Filed under: Code — Karl Olson @ 12:50 pm
One side effect of writing and modding for an animation news website back in the day, is that I made some great friends who went on to actually work in the animation, comics or anime/manga industries professionally. One such person is Corey Barnes, an animator/storyboarder/director who has worked on a number of high profile projects in various animation roles including Netflix’s Big Mouth, FX’s Archer, Adult Swim’s China, IL and much, much more.
Now, instead of manually cleaning up each storyboard panel’s captions, you can just select as many panels as you want, pick which captions to clear in that selection, and the script does everything else. I have no idea how much time this might save storyboard artists, but it’s certainly proving popular with storyboarders on Twitter. I hope this is the start of writing more scripts that help animators. I can’t draw, but I certainly can code, and if I can use that skill so software gets out of the way of animators, that seems like a cool way to help with/participate in that industry.
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Posted on August 2nd, 2018
Filed under: Code — Karl Olson @ 1:19 am
Remember Nick Arcade? If so, you might recall the basic game play of the show involved moving a cartoon character, Mikey, around a map, where you might reveal a prize, a trivia question, a game challenge or an event where you lose control to the other team. A friend of mine who streams old shows joked that he wanted to pick shows the same way – randomly as you moved around a map. So, while he streamed recently, I wrote up this very rough draft of the Nick Arcade board, complete with shows. Since it’s a pain to share a JSFiddle otherwise, here it is embedded.
In future, I’ll definitely add a component to populate the show list so it’s not fixed in the component (it is randomly built each load though – navigate around and see which “classic” you might get to watch,) options to load a background graphic, and maybe even an animated Mikey (well, probably not.) Still, I think I have a good basis here, and it’s a fun, small project I can probably handle in the background.
Edit: took an extra half hour the next day to get it a bit more visually polished, look at the fiddle history to see the process in action.
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Posted on May 25th, 2014
Filed under: Code — Karl Olson @ 6:50 pm
So a while back a rather interesting chart was posted online noting the unique words used in the first 35,000 words of many major MCs. Of course, being an MC, musician and computer scientist, I was immediately intrigued yet let down. Obviously, you can’t really put up the exact same source lyrics since that would be infringement (sadly), but it would’ve been awesome if some source code was available and at least a listing of the sources used.
So, I just built my own solution that would be a lot more transparent, and that could eventually act as a framework for something more collaborative.
On one hand, it’s a really basic word count. However, it has a lot of nice, little tweaks that let the user (probably an insecure rapper like myself,) carefully manipulate the behavior of any automatic reformatting and correction of their text. To further demonstrate the transparency of how it works, it show not only the unique counts, but it also shows a raw JSON count of the object (that will probably be wired into some graphing functionality in future,) and the processed version of the input so that you can see exactly what any replacement has done. Beyond that, there is a also field for inputting excluded words if you want to see what happens to the unique word count if you exclude certain common words as well.
On that note, here are unique word counts for the following artists first 35000 words (or as many words as they’ve released to date if they don’t have 35000+ words on their own official, non-best of albums):
Aesop Rock: 8411/35000 (sourced from lyricswiki**)
mc chris: 6467/35000 (sourced from A-Z Lyrics**)
MC Frontalot*: 5163/21708 (sourced from his own website**)
Whoremoans*: 3682/19779 (forwarded directly to me from a transcription, no edits made by me.)
Ultraklystron: 6492/35000 (from my own archives**)
*=under the 35000 count.
**=manually corrected for variations in spelling, transcription errors and reduced repetition of choruses when feasible.
I want to note these numbers are obtained after removing non-essential punctuation, making it all lowercase and removing apostrophes via the Lyricist page. Additionally, as noted, I also corrected for transcription errors and inconsistent spelling and also removed obvious repetition like choruses/hooks since there is no consistency in the notation of that kind of thing. Also omitted when possible/reasonable were any lyrics from featured MCs on those artist’s releases. In the case of annotations that didn’t clearly breakdown which MCs said what, the entire song was cut from the count.
Lessons Learned so far:
-There is so much variation in the count due to the very issues I’m trying to correct for above that at best, you can probably say that if two rappers are within a 500 words of each other, they’re probably comparable when it comes to vocabulary, even after running corrections/clean up over all of their lyrics. This is reinforced by the fact that MCs will trade spaces depending on the removal of apostrophes or not.
-Most MCs hit a logarithmic ceiling as they go on with time. Aesop doesn’t appear to though. In fact, even if a fan put serious time into working through and getting a very accurate transcription of his first 35000 words fully corrected for any of the possible duplicates sneaking by, he’d still probably be smashing it.
-I have a lot of artists I want to gradually add this to list (MC Lars, Megaran and YTCracker to name 3 off the top of my head,) but finding a good, preferably single source for their lyrics is going to critical to the accuracy of the analysis.
-Making this an un-moderated, open source list will probably be a fiasco. To make this work, it almost needs to be integrated into Rap Genius or something similar. I kind of hope this spurs the major lyrics site into integrating this kind of analysis as a way of engaging people with the words of their favorite musicians and MCs at a lexicographical level.
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Posted on October 5th, 2012
Filed under: Code — Karl Olson @ 4:04 am
Or, why I’ve added a new category to the blog.
I’ve come to realize that when I don’t have school work to do, music to write/produce for other rad musicians, or reviews to write about cartoons, I should probably try to be proactive in keep my programming skills sharp. While I wouldn’t feel comfortable doing anything too serious at the moment, I figure short Python scripts might be a good plan. Thus, I’ve added a code section to my blog, and (hopefully) this means I put the extra time in my day that isn’t going into the above responsibilities into something more productive than reading up on internet news I’ll forget a day later.
Eventually, these posts will just be updates that say I’ve posted something new to git-hub or something similar, but to inaugurate this, I have written a little script that compares cost of ownership between two cars. Check it out after the break.