Posted on June 19th, 2017
Filed under: Music News — Karl Olson @ 9:49 PM
Strictly speaking, I’ve not done a pure Drum n’ Bass LP since 2004 when I released the initial edition of Haven (which I later remastered and re-released in 2006.) I’ve done bits here and there on my Music For Tablets #, alpha & beta releases, on Doujinshi and on Service Attack. Somehow, the idea of making an LP of straight drum n’ bass wasn’t something I’d felt that into. Perhaps that was in part because of how strong Haven is as a release in my eyes; it is a high water mark in my rather formidable discography. Perhaps it was also that making HipHop became such a passion for me (once I’d found a way to have a voice in it that didn’t at least seem immediately false or fake, if not authentic,) that electronic music of all sorts became more of an influence on my sonic palette rather than a pure focus in it’s own right.
However, now as I feel perhaps as if Null Signifier is a rather difficult to top record in my discography, I’ve somewhat naturally focused back towards electronic music, perhaps especially Drum n’ Bass because at this point, I am no longer concerned with whether what I do tops what I made over a decade ago, and so can now approach it purely in the moment. Of course, having a smartphone with Caustic loaded, the modern equivalent of the QY70 pocket sequencer that I learned how to compose drum n’ bass on, with me at all times, and most importantly on my train commute to and from work, perhaps also provided greater focus towards purely instrumental driven music, but that alone wouldn’t have allowed me to let go and make this release.
So, enjoy my first pure Drum n’ Bass LP in over a decade, Emergent Behaviour. It’s nice to come full circle, and I hope that I can continue to create from that mindset going forward:
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